• Station C - Structure, Rhyme and Rhythm
  • anonym
  • 06.09.2025
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How to work with this sta­ti­on

This sta­ti­on fo­cu­ses on the struc­tu­re, rhyme, and rhythm of the poem. If you feel con­fi­dent to ans­wer the main task, you un­der­stand the the­mes and per­spec­ti­ves well enough to move on to ano­ther sta­ti­on. If you are not sure whe­ther you have re­ached the cor­rect con­clu­si­ons, you can take a look at the cheat sheet to com­pa­re your ans­wers.

Main Task: Ana­ly­se how Langston Hug­hes uses struc­tu­re, rhyme, and rhythm to dif­fe­ren­ti­a­te bet­ween the dif­fe­rent spe­a­kers.

Step-​by-​step:

1
Iden­tify what rhyme pat­terns and rhythm the poem uses. (Re­a­ding aloud can help)
2
Com­pa­re the rhyme pat­terns and rhythm be­fo­re and after the spe­a­ker chan­ges.
3
Ex­ami­ne the struc­tu­re of the poem. How does Langston Hug­hes make use of stanzas?

Main Task: Ana­ly­se how Langston Hug­hes uses struc­tu­re, rhyme, and rhythm to dif­fe­ren­ti­a­te bet­ween the dif­fe­rent spe­a­kers.

Hel­pful terms:

rhy­ming cou­plet

two con­se­cu­ti­ve lines with the same rhyme: aabb

al­ter­na­te rhyme

lines with the rhyme scheme: abab

em­bra­cing rhyme

lines with the rhyme scheme: abba

metre

re­gu­lar rhyth­mic pat­tern of stres­sed and un­stres­sed sylla­bles

iamb

me­tri­cal foot of two sylla­bles (un­stres­sed - stres­sed)

tro­chee

me­tri­cal foot of two sylla­bles (stres­sed - un­stres­sed)

dac­tyl

me­tri­cal foot of three sylla­bles (stres­sed - un­stres­sed - un­stres­sed)

ana­paest

me­tri­cal foot of three sylla­bles (un­stres­sed - un­stres­sed - stres­sed)

free verse

a poem writ­ten wit­hout parti­cu­lar rhyme scheme or re­gu­lar metre

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